MAYCHEER's hairline filler stick is a compact twist-up pen built for the edges of the head: the front hairline, the temple corners, the forehead line that shows above the bangs, and the part. One end carries a shaped pigment tip that lays colour onto the hair and onto the scalp showing between it. The other end is a soft brush that feathers the colour into the surrounding hair, so the edge finishes without a hard line. Anyone who already sells brow pencils recognises the format immediately, and a customer who has never used one works it out in seconds: twist, stroke, brush.
Used as a hairline touch up shadow, it does one small job properly — it narrows a high forehead, closes a gap where the hairline has thinned, and puts density back at the corners. The before-and-after shots supplied with the product show exactly the two situations it is bought for: a hairline that has receded at the temples, and a part line that has widened until the scalp shows through.
The listed colour options are brown, black, coffee and other, the stick carries a three-year shelf life, and it is made for general use rather than for any treatment purpose. The barrel is matte black with a removable cap, so one stick lives in a handbag, a till drawer or a stylist's trolley and is used in whatever mirror is nearest. Because it is small, light and demonstrates in under a minute, it earns its place on a counter rather than on a specification sheet: a seller can show the difference on the back of a hand before the customer has finished asking about it.








The colour options listed for this pen are brown, black, coffee and other, and the shade card that comes with it runs five tones: 01# black for dark black hair, 02# dark black brown for dark brown hair, 03# brown for brown hair, 04# light brown for light brown hair, and 05# golden for light and golden hair.
The matching rule is simple: match the pen to the darkest part of the hair you are shading into, not to the scalp. Where the hair is dense, a tone that matches it disappears; a tone that matches pale skin leaves a bright patch in the middle of the stroke. If a customer sits between two tones, take the lighter one for the forehead edge and the darker one for the part line and temples, where less light reaches the hair.
Blending covers small errors. Because the tip is narrow and the brush softens the edge, a tone half a step out still reads correctly on the head; only a tone two steps out shows as a band across the hairline. Coffee sits between brown and dark brown and suits warm, medium-toned hair that turns a straight brown cool in daylight.
For a first range, black and dark black brown carry the most requests. Add brown and light brown where customers colour or highlight their hair, and golden where blonde and light-brown heads are common. The two paler tones also suit fine grey hair, because a very dark stroke on white reads harder than a soft one — and grey is why many customers buy the pen in the first place.





Small beauty shops and market counters are the natural first buyers, because the pen can be demonstrated on the back of a hand in seconds with no mirror, no water and no appointment. The demonstration answers the only question a walk-in customer has: will it look real on my hair?
Live-stream and short-video sellers use it differently. The before-and-after is the whole pitch — a sparse edge, six strokes, and a hairline fill powder for daily styling that a viewer can repeat at home the same evening. It sells in a thirty-second clip rather than a long description.
Resellers listing on marketplaces get a light, tidy item with a shade card that photographs well, no batteries, no voltage question and no size chart to explain. It ships small, stores in a drawer and reorders tone by tone, so a listing can be built around the four fastest-moving shades.
Salons and barbershops keep one at the station for the ten minutes before a client's photo, and for male clients who want the corners of a receding hairline tidied without a colour service. Small own-brand starters use the same shade card as the base of their own line — this pen, their own name on the box.
| Manufacturing brand | MAYCHEER |
| Product name | Hairline filler stick |
| Product category | Eyebrow powder |
| Format | Twist-up pigment tip with a soft brush applicator |
| Specification | Standard specifications |
| Suitable skin type | Neutral |
| Colour options | Brown, black, coffee, other |
| Brand type | Domestic brand |
| Imported | No |
| Production licence number | Guangdong Cosmetics 20160843 |
| Non-special cosmetics filing certificate number | Guangdong G Makeup Website Registration Number 2021088767 |
| Special purpose cosmetics | No |
| buyers | General population |
| Shelf life | 3 years |
Shade mixing is the practical part of buying this pen. Because the range is a card of five tones rather than one item, a buyer can order across the card in the quantities that actually sell — a heavier multiple on black and dark black brown, a lighter one on golden, and a single unit or two on the tones they want to test before committing to a run.
Pricing comes from direct factory partnerships rather than a distributor layer, so the margin on the shelf is decided by the buyer's own resale pricing instead of by what a middleman added. Buyers sourcing bulk hairline touch up powder wholesale for a group of counters or a live-selling account can build the assortment once and repeat it season after season.
Own-brand work starts from 50 pieces. That covers custom packaging — the box, the print and the barrel label — plus exclusive shade development and formula adjustment, so a seller who wants a tone that is not on the standard card can have it made instead of settling for the closest match. The same structure applies whether the order is a trial run for a single shop or a repeating programme for a distributor.
Three things are worth settling before a custom run goes to print: the artwork, the tone you are matching against, and the extra time a bespoke shade adds to the standard schedule. Send the hair swatch or a daylight photo you want to match and you will get a straight answer on how close the factory can get before anything is produced.
Taking it off at the end of the day
The pigment rests on the surface of the hair and on the scalp between it rather than dyeing the strand, so it lifts with an ordinary wash. Work an oil-based cleanser or micellar water along the hairline, the temple corners and the part line with a cotton pad, give it a moment, then shampoo as usual. On a light application many wearers find that a single shampoo is enough. Either way, wash it out before bed: the finish is built to be waterproof and smudge-proof through a full day, and leaving it on overnight is what puts colour onto a pillowcase or the collar of a light shirt.
Use lukewarm water and fingertips rather than a towel or nails. The hairs along a hairline and a part line are the finest on the head, and scrubbing at them drags the colour sideways instead of lifting it out. Work in small circles, rinse, then condition as you normally would. Once the hair is dry the edge is clean, and the next morning's layer starts on a fresh surface — which is what keeps a daily routine working, because a new application over yesterday's leftover product looks patchy rather than dense.
Cleaning and storing the pen
The brush end picks up pigment as you blend, so wipe it across a tissue after a heavy application. Once a week or so, rinse the bristles in lukewarm water with a drop of mild soap, press them dry on a tissue and let them air dry before the cap goes back on. Cap the pen between uses and stand it upright in a drawer or in a counter cup so the pigment end is not resting against anything; that single habit is what keeps a tip from drying out and stops the cap picking up colour.
Twist the tip up only a few millimetres at a time. A short, firm tip travels along a hairline and lays colour exactly where you want it, while a long one bends or draws a hard line. Apply to dry, styled hair rather than over a wet serum or oil at the hairline, because the pigment needs a dry surface to grip evenly. And never try to lift it with a dry tissue alone — that only pushes the colour around the edge of the face. Worn this way, a stick used as a hairline touch up shadow becomes part of a morning routine rather than an occasional extra.
At the counter
Keep stock pens and the shop tester capped and out of direct sun. To demonstrate, stroke the pen on the back of a hand, let the customer compare the tone against their own hair, then wipe the skin with a tissue and cap the pen again — one tester stays presentable through a busy day of showing, and the twist-up tip needs no water, mirror or appointment to prove the result.
BeautySource is a Yiwu-based wholesale platform built on the Yiwu and Guangzhou beauty manufacturing base, backed by a factory group that has been producing since 2000. We work with 1,000+ manufacturers and 20,000+ items, so you can complete a mixed order across categories with one supplier instead of many, and private-label or OEM packaging starts from 50 pieces. Delivery runs 10–15 days by air or sea, with DDP duties prepaid to the EU and US, and we keep you updated on production and shipping from order to delivery.
Grey and white hair is usually finer and more reflective than pigmented hair, so a tone that matches the customer's original colour can look darker than expected on it. Many counters start with brown or light brown on grey and step up a tone only if the colour disappears. Where the grey sits along a visible part or hairline, one soft layer close to the surrounding hair reads better than a solid stroke.
It should read as density rather than as a line, provided the shade matches and the brush end is used. The narrow tip works between the hairs instead of over them, and the brush feathers the colour along the direction the hair grows. Build the colour in two light layers, then check it in daylight or on a phone camera before adding more — flashes and direct sun both make a heavy stroke look stronger than a mirror does.
It is made for general use, and the most common male request is exactly what this pen handles: the corners of a receding hairline and a part that has opened up. Barbers use it before a client's photo for the same reason. The dark tones, 01# black and 02# dark black brown, are the shades that move most for this group.
Yes. The product is filed as an eyebrow powder and supplied as a brow filler pen, so the same tip fills a thin brow tail or a small gap between hairs. Work in short strokes in the direction the brow hair grows, then brush through with the soft end — the result is softer and more natural than a hard pencil line.
No. It is used along the front hairline and the temple corners, down a widened part line, into a gap in the hairline, and on thin areas along the crown edge. The narrow tip is what makes it usable inside a part, and the brush end is what blends the colour back into the surrounding hair so nothing looks blocked in.
Yes — it is built as a hairline fill powder for daily styling, so repeat use on consecutive days is exactly what it is for. Twist the tip up only a few millimetres each time, recap the pen between uses so the pigment does not dry at the tip, and wipe the brush on a tissue after a heavy application.
A normal shampoo wash lifts it. If you want it off faster along the hairline, work an oil-based cleanser or micellar water into the area with a cotton pad first, then shampoo as usual. That order matters more than the product used: the pigment is designed to stay put, so it takes a little more than water alone.
Yes. The brush is built into the same barrel at the opposite end from the pigment tip, so nothing separate is needed to blend the edge. Replace the cap after use to keep both ends clean in a bag, and keep the stick upright in a drawer so the tip does not sit against anything.